The Cover

The party never sleeps: Fat Dog unleashed in America

With their much talked-about live show, the five-piece are pushing at the boundaries of punk and dance – and staying true to their idiosyncratic nature

Lana Lubany: “It never occurred to put elements of my culture in pop music”

The Palestinian-American’s latest bilingual material fuses her affinity for both Arabic and Western music. She tells NME how she’s finally captured an honest portrait of her artistry

Kanii: “I don’t hold back when I express how I feel”

Despite bursting into the mainstream with his tantalising Jersey club music, the 18-year-old wants to “revive” and modernise the ’80s sound he grew up on

Nemzzz, UK rap’s hardest-working new star: “Manchester builds you differently”

The 19-year-old has worked with Lil Yachty and Headie One, but remains staunchly independent. Here, he talks moving beyond the buzz and staying true to himself

Karin Ann’s spectacular second act

After a challenging few years, the Slovak alt-pop dreamer steps onto the world stage with a superb debut

Rocket: the unlikeliest of indie upstarts are ready for lift-off

Channelling the spirit and sound of ‘90s guitar icons, this underground band are making big, open-hearted anthems for a new generation to rally around

Been Stellar: indie heroes cutting through New York’s deafening din

The band’s upcoming debut ‘Scream From New York, NY’ is a compelling dispatch from the city that never sleeps. They tell NME why outsiders like themselves continue to make it their home

Griff comes back down to earth

After dizzying highs following a BRIT and NME Award and co-signs from Taylor Swift and Chris Martin, the British pop hero returns with the ‘Vertigo’ EP series that navigates the “emotional bootcamp” of your 20s

Caity Baser: “I’m not going to censor myself for people that don’t like me”

As she’s nominated for a BRIT, releasing her ‘Still Learning’ mixtape and heading on a nationwide tour, Baser explains why she wants to remain a bold new voice in British pop

Royel Otis: Australia’s next breakout indie heroes

A cover of Sophie-Ellis Bextor’s ‘Murder On The Dancefloor’ has sent the band viral in recent weeks. But, as their thrilling debut ‘Pratts & Pain’ proves, they’ve never been in danger of killing the groove
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